A project by Sezgin Boynik & Tevfik Rada

The National Gallery of Kosovo warmly welcomes you to the book launch of Stuttering Universality and Limits of Representation, by authors Sezgin Boynik and Tevfik Rada on Thursday, November 9th. The discussion panel among the authors and the philosopher and theorist Shkëlzen Maliqi will run from 18.00 to 19.00. Due to limited space, we suggest you reserve your spot by registering here.

The event will be open for everyone after the discussion, at 19.00, on the second floor of the gallery the audience will be able to see presented film fragments from the cinematic history of Kosovo in the 80s as well as other materials which are the subject of this research.

Palimpsests of History

In 2001, Chris Marker announced a second episode of his cinematic ‘Kosovo report’, which he would never release. In a statement written a few years later he wrote that “nobody cares about Kosovo anymore anyway — until the next war.”

While this film — tentatively called ‘Broken April’ — is considered lost today, the ghost of war has not ceased to haunt Kosovo’s everyday life ever since. Using Chris Marker’s metaphor, Sezgin Boynik and Tevfik Rada capture the shadows of Kosovo’s recent history through cinematic devices. Palimpsests of History deals with the filmic representations of Kosovo during the twilight of Yugoslavia — of nationalism, apartheid, uprisings, class struggles and state violence. The project distills its narrative from the images of the 1980s, a time when multiple political crises intertwined with social unrest, and the widespread commodification of cultural forms was dawning. The aim of the project is to picture this history through its gaps, to put them into motion. The exhibition treats film as a research tool that has the capacity to uncover this historical period’s visual palimpsests.

Three specially produced booklets accompany the exhibition. Stuttering Universality brings together Shkëlzen Maliqi’s polemical writings on Kosovafilm productions from the mid-eighties, with a critical introduction by Tevfik Rada. Limits of Representation presents the first English translation of Gani Bobi’s critique of manipulations in the media regarding Kosovo in the late eighties, together with Sezgin Boynik’s extensive analysis of Srđan Karanović’s experimental film ‘Za Sada Bez Dobrog Naslova’ (‘A Film without a Name’) made in 1988 on Albanian-Serbian relations. The third booklet, See You in the Next War, is an image-based reconstruction of Chris Marker’s lost film on Kosovo; it will be available for the closing of the exhibition. Apart from the booklets, the project also presents a series of silkscreen posters together with cuts from films that will serve as snapshots of history.

“History throws its empty bottles out of the window,” says the voiceover in Marker’s Sunless, released in 1983. By making a leitmotif out of this statement, Palimpsests of History finds in the persistent ideological dilemmas of the eighties in Kosovo clues to today’s unresolved contradictions.

Bios
Sezgin Boynik is a theoretician and researcher based in Helsinki and Prizren. He is founder of Rab-Rab Press, and founding member of Pykë-Presje.
Tevfik Rada is a sociologist and researcher from Prizren and founding member of Pykë-Presje.

Press Contact:
Shkamb Jaka, Coordinator for Media and Public Relations
info@galeriakombetare-rks.com

The National Gallery of Kosovo
Address: Rr. Agim Ramadani, nr. 360
10000 Prishtinë, Kosovë
Hours: 18:00
https://www.galeriakombetare-rks.com/

Free Admission
The exhibition is supported by the Ministry of Culture, Youth and Sports.